TRIODE TRV-M88SE KT88 tube 60w mono block amps

Enjoy the Music review:

As I recall, it was last year at the Rocky Mountain Audio Fest 2006 in Denver when I first saw the TRI tube amplifiers in room 1121 it was the third weekend of October. This past January at the CES 2007 in Las Vegas I stopped by their room at the Venetian Hotel. I will have to admit even though I know you can't tell a component by its cover these little amplifiers certainly caught my eye, they were so damn pretty looking. I can easily imagine waking up some Christmas morning to find these Chrome and Candy Apple red beauties under my Christmas tree. Of the six TRI components on display it was the KT88 powered TRV-M88SE that I wanted to get my hot little audiophile paws on. To my way of thinking if I was going go the tube route then I wanted the most muscle they had and these pretty 60 watts per side power pushers filled the need. In my opinion there is a dichotomy concerning the name of this company. It lends the impression that the Triode Company makes only triode tube amplifiers and that is certainly not the case.

The products they manufacture consist of an integrated amp and a preamp that can be paired with the company's mono or stereo amplifiers. They use KT88, 300B and EL34, power tubes in push/pull AB mode also in parallel single ended circuit configurations. So to be exact the TRI amplifiers of the Triode Corporation are not all triode. This is probably why the amplifiers only have only the first three letters TRI on the front panel. A lot of the metal fabrication is made in China. But the Triode Corporation is a Japanese company that like many others has some parts made in the Peoples Republic of China however the wiring and final assembly are done in Japan.

The Nut's & Bolts Below
A few weeks before I finished writing this article I removed the amplifiers bottom cover what I saw answered some remaining questions I had about the cost of these amplifiers. I realized that there exists strong competition from other amplifier brands with similar specifications at lower manufacturer suggested retail prices. Turns out that these amplifiers are not just another pretty face on the inside the workmanship and parts quality is unusually fine. All the wire runs are dressed in a neat military fashion squared off and bundled with cable ties. The internal parts consist of hi-quality plastic film and non-inductive Vitamin-Q paper in oil capacitors with excellent Nichicon electrolytic capacitors in the choke filtered power supply. In addition. many of the resistors are manufactured in Japan by Kiwame. The tubes are plugged into very nice ceramic sockets by the way. Everything seen is of unusually high quality construction, this is where the money was spent and that is exactly the way it should be.

The TRV-M88SE Monoblock Amplifiers operate in Class AB 1 Push Pull mode using two KT88 pentodes; like I said they are rated at 60 watts per side..... . Up front the amplifier uses one 12AX7 and one 12AU7 each of these are dual triode tubes. The 12AX7 is classified as a Hi-Mu tube and the 12AU7 is a medium Mu tube. The Greek letter Mu is used to specify tube efficiency.
Like I said these attractive chrome plated twin amplifiers are long on good looks. Even the black wire cage covering the tubes are stylishly good looking and these are held in place with very practical banana plugs. More importantly those candy apple red lacquer transformers are unusually large for a two-tube 60 Watt amplifier. These transformers are made with high quality 6N copper wire over a Shinnittetsu Orient core made in Japan. With these transformers the mono amp's weigh in at a hefty 33 pounds apiece. Keep in mind the single most expensive part of an amplifier is usually the transformers. Just by virtue of their size I would normally expect better sound. Think of it this way, the output transformers can be a bottleneck for music. They are at the last stage of the amplification process and can and do determine the bandwidth of the signals that pass through them. The design of transformers is indeed a complex process but we can say that generally you would need large current capable transformers to produce good bass.

Now if you look at the amplifiers front panel you will see the power switch on the left side and just above that a small blue LED for power indication. The right side has a knob for the non-detented Alps volume control. Let’s turn the amplifiers around and take a look at the business end. The rear chassis has a mini toggle switch labelled balance select. This switch configures the amplifier for balanced XLR input or an unbalanced coaxial single ended RCA connection. Directly on the right side of this switch is the female RCA and just below that is the balanced XLR input connection. The rear panel has four WBT style binding posts for speaker cables; you can connect 16-, 8- and 6-Ohm speakers. These are arranged three side by side with the fourth negative post positioned above the middle 8-Ohm post. And on the right side is a receptacle for an IEC style power cord. Every thing that I have seen including all the external metalwork the wire tube cages the switches the tube sockets and all the connectors are first quality I don't see any signs of cost cutting.

Empirically Speaking
Could tell by the labels on the shipping carton that these amps had just cleared customs and that they came from the distributor directly to Moi. The very first time I fired up these amplifiers the sound was disappointing. To be fair, was right in the middle of something completely different and was taking notes on a British integrated amplifier while only stopping for about 20 minutes to plug in the TRI amps. There was a treble problem right out of the box the high end was very bright and hard sounding. I pulled them out of my system packed them up and I sent them off to an audiophile club for an upcoming weekend meeting. A week later at the meeting they were providing power to an older pair of Unity Audio CLA-1 speakers. This room was much larger than my own listening space and the sound reproduction was really good. Apparently all the TRV-M88SE amps needed was a decent break in period. For this gathering the sound was the best I've heard out of this particular system. The top end was wide open and the bass formed a perfect foundation for the musical performance. I guess if one had to characterize this particular reference system I would call it good Mid Fi.
A few days after that society meeting and back at my place I put the TRV-M88SE amplifiers on the floor between my Strata Mini speakers and in front of my equipment rack. Allowed the amplifiers cook for a day or two playing free HD radio captured by my intriguing new toy, a Sangean HDT-1 component tuner. Most of the time listening to the amplifiers was when they were hooked up to my Strata Mini speakers and they proved to be a tough nut to crack. By that I mean they were transparent like some mega buck solid-state amplifier. Surprisingly clean and clear to the point that I struggled to find a hook to hang a description on. Decided to run the amps with my little Aurum Cantus Leisure 2SE speakers and once again they helped to fill in many of the answers I searched for.
These are Chinese two-way speakers that use a 80mm Aurum Cantus G2 ribbon tweeter this is a super revealing and super fast speaker that has extension out to 35K Hertz and clean bass down to 65 hertz. Utilizing my Rives test disc and a Radio Shack SPL Meter at my listening position I measured a 40Hz signal at -7dB, lower than at a midband 1kHz reference point. Now that's still fair bass output. Originally I purchased the speakers to review cables reasoning that any small nonlinear response would be easy to hear. I powered up this pairing and all quite suddenly the TRI TRV M88SE and the Aurum Cantus were seemingly made for each other. Nothing is hidden save the last octave of bass. From the mid bass on up to the limits of my hearing they are fast detailed and sing with a natural harmonic totality that lets you hear deep into the performance. Just recently I bought a used CD; it was Paul Simon and the album Graceland (Warner 9-25447-2). My two favourite tracks are 5 and 6, "Diamonds On The Soles Of Her Shoes" and "You Can Call Me Al." At four minuets into the track of Diamonds you can hear the accompanying Ladysmith Black Mambazo as a deep background rumble growing louder underneath a complex layering way back in the centre image. I love the way the electric bass lines of these two songs threads the music and the arrangement together it's much more than simply establishing a tempo. The midrange has the vitality and speed that can breath life into the performance. What a nice match these two make it was hard to stop my toes from tapping along.

Conclusions
I have used these reference Aurum Cantus speakers now with a total of six different amplifiers and two of those cost a lot more than the NZ$6,000 TRV-M88SE. And so far, this combination provides the best sound from these loudspeakers. Furthermore, I know these loudspeakers so well that I can listen back through them and hear the amplifier driving them and I know what they impart to the sound. Apparently all what was needed was speed and dynamic ability to show the amp's inherent tonal accuracy. Am still surprised at how extended the high frequencies are they seem to reach out to dog whistle territory. I love this wide-open airy quality.
At this point you might be thinking that's fine and dandy but I don't have your ribbon-equipped speakers. That maybe true, but the point is the Hi-Def Aurum Cantus speakers would most certainly reveal any amplifier related weaknesses if they had any. Let me put this another way, my experience with these TRI amplifiers shows the faster and more revealing your system is the better. It doesn't absolutely have to include ribbon drivers. The Krell LAT-1 speaker immediately comes to mind as an example of a highly detailed conventional piston driver system with extremely fast reflexes.
The TRI Monoblock Amplifiers, if matched with efficient high-resolution loudspeakers, honor the sound of music with a crystal clear view of the performance. Lest I forget, I place great value on a components ability to portray a detailed realistic stage comprised of depth, width and height. As you should expect a 60-watt tube amplifier will not have the same low frequency transient speed or impact at bass frequencies like some large solid-state amplifiers. But I do not consider this to be a problem since my reference is the human voice or smaller scale ensemble music. I listen primarily to the sound of the human voice because this is what I know best. Am not concerned much about the very deepest of bass notes. What I do want is something tonally accurate with a perfectly integrated frequency spanning continuous balance.
For me the TRI TRV-M88SE amplifiers would form the heart of a hi-quality second system. Unfortunately for me I live in a very space-limited apartment. They look wonderful and the price is justified by hi quality construction specifically the inclusion of first-rate components, materials and workmanship. I expect that this will translate into increased reliability and long life. This is certainly not the euphonic sound of an old style classic amplifier. Rather this is a very modern example of a mid power AB1 tube design by Junichi Yamasaki pushing the limits of what is possible with today's technology. Beautiful amps beautifully made they sound great and they certainly merit your audition. Wish I had room for them.

.....Semper Hi-Fi